The episode opens on the Doctor and Rose chasing a distress signal to a massive underground bunker in Utah filled with alien artifacts. But "Dalek" achieves the near-impossible: it makes the Daleks seem genuinely terrifying. A remnant of the show's low-budget early years, the Dalek looks like a giant metal can with a plunger stuck onto it that feasibly could be defeated by stairs - and yet it captured the imaginations of thousands of children. Written by Robert Shearman, "Dalek" is the sixth episode of season 1 and has the formidable task of introducing to a new generation the Doctor's greatest enemy and the show's most ridiculous-looking monster: the Daleks. But it doesn't try to hide what kind of show the new "Doctor Who" will be, which I like to categorize as "camp and crying." And let's face it: walking mannequins are a little silly for sci-fi fans used to more serious foes. It ricochets so quickly between campy, serious, and soapy tones that you get whiplash, and it seems to be torn between paying homage to the classic show while establishing Eccleston's Doctor as a damaged action hero. Granted, "Rose" is not a perfect episode. But "Rose" reimagines the Doctor as a sort of cynical Superman. It's a radical introduction for the Doctor, who in the final days of the Classic era was more known for his tawdry quirks than having a personality. But one battle with reanimated mannequins and an exploded department store later, she's on her way to travel through all of time and space with Christopher Eccleston's brusque Doctor, who, in a bold twist for the new revival, is the last surviving member of his species, the Time Lords. Davies-penned episode introduces us to the Doctor through the eyes of Rose Tyler (Billie Piper), a 19-year-old London shopgirl bored with her mundane life.
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